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COLWOOD BURNERS AND PENS

 

Everything you always wanted to know about Colwood woodburners, pen uses, care, answers to all your questions and more.  If I haven't answered your questions, please contact me.

Most of the information contained in this tutorial can be applied to most brand of detail pens but if you do not have a Colwood (Razertip or Optima burner), please be sure to follow the manufacturer’s instructions for cleaning the pens.   

Care and feeding of your Colwood brand burner and pens

If you own a Colwood woodburner you have come to the right place for help. 

I use and sell the Colwood and Razertip woodburners and pens so that's what I am going to discuss here but the same information also applies to the Optima brand of woodburning pens.  First, let me start off by saying that the Colwood, Razertip and Optima  brand of pens do not need annealing before use. It is unnecessary and not recommended. Just open them up and burn away

The Colwood pens we sell, like the Razertip are made from a highly polished nickel/chromium alloy that is designed to flow smoothly over the wood and require less cleaning.  These tips need very special care to preserve the finish and ensure its life.  Although most brands of tips are made from a nichrome alloy, not all are the exact same proportions of nickel and chromium or processed in the same way.  Some pens that are not polished will require cleaning more often than those that are polished.  If you are using the Colwood, Razertip or similar pens, you should probably only need to clean the pens once a day if burning at a moderate temperature on wood without resin or pitch. If you are burning at a high temperature on wood such as pine (not safe really) or on gourds and leather, you might need to clean your pens more frequently.  When your burning starts looking “muddy” or the pen is starting to drag, it’s time to clean!

Having a clean pen is essential for good burning.  A build-up of carbon and other materials will hinder heat transfer and cause the pen to skip on the wood while burning.  The ideal method of cleaning the polished tip woodburning pens is to use the cleaning tool made by Razertip  or use aluminum oxide and strop it on leather or the hone strop described below.

If you care for the pens properly, they will last for years!

Happy Burning©!

Nedra

 

Proper Care and Use of Colwood Burners and Polished Pens and Tips: 

Both Colwood and Razertip polished tip pens do not need annealing before use. It is unnecessary and NOT recommended to use any annealing process. Just open them up and burn away

If you can turn the burner down and still do the job – do it!  Your tips will last longer, you’ll have more control, you’ll get a cleaner burn, your tip won’t build up carbon up as quickly, and it’s cooler on the fingers.  The other advantage to burning at a lower temperature is that you will have more control over your burning!

NEVER use abrasive sand papers, etc to clean fine detail pens!!!!

If you have a question that I haven't answered here, please contact me.

Frequently asked questions:

Q: If most of the woodburning pens are made from a nichrome alloy why and how is there a difference?

A:  There are a lot of different 'Nichrome' alloys made, and different annealing/hardness options for each one, so each company may use a slightly different material/composition.  The difference is also in the processing of their tips. Every company uses a different method of finishing their tips so the finish will vary from company to company.  Some companies only offer polished tips and some offer both unpolished and polished.  The polishing process also varies with each company.  The more highly polished involves a lot more work but in my opinion it is worth it. 

I started out using a Colwood woodburner back in 1999 with the original unpolished tips and found that they grabbed the wood and required more frequent cleaning. I also struggled with trying to improve my burning techniques but became very frustrated at being "stuck" in a rut and not being able to get past it.  It was not until someone recommended Razertip and Optima pens that I saw the wonders of how great polished tips were and how much I could improve my techniques just by changing from an unpolished tip to a polished tip. 

Polished tips burn smoother without grabbing the wood, remain clean longer and are easier to clean.  This is not just my hype to sell the pens I sell, it's a proven fact.  Just ask anyone who has tried two similar style pens, one unpolished and one polished and they will probably tell you the same thing. 

Colwood has now started offering polished tips and it has made a huge difference in their performance.

Q: There are so many pens to choose from how do I know what to buy to get started?

A:  Over the years I have always recommended people start with just 3 pens, a shader, writer and skew.  With these three tip styles you can do just about anything.  When I started using and selling Colwood burners and pens they made some pens for me based on my requirements and specifications, styles similar to what Razertip made for me.  Those have become my favorite pens and are now best sellers.  They include my all time favorite the E45 and E45S (HD5MP/HD5MSP bent spear shader), 5XS, 5S, 5M and the new ball stylus.  While every artist has their favorites here are the pen styles I usually recommend:

Shaders: E45 or E45S.  These are the most versatile shaders I have found.  Because of their shape they can get into the tightest spots. I use the E45 for 95% of what I do, including fine detail work, fur, feathers, hair, undercutting, etc. 

Writers: MC or Ball Tip #1 or 2.  These were designed based on my specifications and I have found to be the most versatile and the best overall performance.  The ball stylus will glide more smoothly over the wood than the MC or C writing tips but both styles are very useful. 

Skews: KR or GR.  I like these for their versatility.  Unlike flat skews, the round-heel makes them more maneuverable for doing curved lines. Of the two I prefer the KR because it's smaller and more maneuverable.

My feeling is that more is not necessarily better.  If you can do everything you need to with three pens, why buy more?  I am not in this business to sell you things you don't need, it's my goal to help you make sound decisions based on your personal needs and budget.  If you have any questions that I have not answered here please feel free to contact me.

When I started teaching classes and doing shows I realized the need to offer starter kits to make buying a burner and pens easier.  Based on my experience and theory of starting with 3 pens I put together starter kits which include everything you need to start burning right after you open the box. They include the most popular and versatile pens, my book Pyrography 101, wood, tip cleaning tools, etc.  Using the KISS theory, a few years ago I separated the kits from the burners to make it less confusing and a easier for you to select the starter kit that was just right for your needs.  With gourd artists incorporating more pyrography in their gourds I have added kits with the gourd artist in mind. 

Q: Do you actually use Colwood woodburning tools?

A:  Yes, The Colwood Superpro II is the burner I started with many years ago.  While I loved the burner I was not pleased with the unpolished tips so I experimented with other brands of burners and pens until I discovered Razertip.  I started using Razertip and until Colwood began offering polished tips and foam grips I used it exclusively.  I now switch between the two based on what I am burning.  I have used and tested every Colwood pen I sell.  Several of the pens Colwood now makes were developed for me based on my specifications and needs.  Such pens as: E45 and E45S and the new Ball stylus.  With Al's help they also refined their polishing techniques to make the pens smoother and even better than before.

Q: There is a model burner and some pens I want that you don't carry can you get them for me?

A:  Absolutely!  I will have them drop shipped directly from Colwood and at our discounted prices. 

Q: My pens are not working.  The light is on and flickering but I'm getting no heat, what is wrong?

A:  Often when you have a very tight connection the cord does not get plugged in all the way. This is one of the most common things I hear and the easiest problem to solve in most cases.  Make sure your cord is plugged in all the way by gently pushing it down as far as you can into the burner and do the same thing with the pen side. If this does not solve the problem call me or Razertip.

Q: How do I know when it's time to clean my pens?

A:  While it is not set in stone, a good rule of thumb is when your shading/burning starts to look muddy or you start dragging black carbon, it's time to clean!  If you burn on higher temperatures you will need to clean more frequently.  If you burn on materials such as leather and gourds you will also have to clean more frequently.  Let your burning be your guide.  Unpolished pens do seem to accumulate carbon faster than others even at moderate temperatures.  The tips made with a polished nichrome alloy burn cleaner and do not build up carbon as fast when burned at moderate temperatures. 

You will also find that when you burn on certain materials such as leather and gourds or higher temperatures the tips will build up carbon faster as well.

Q: How do I clean my pens?

A:  Great question!  I will address the proper procedure for cleaning woodburning pen tips that are polished.  For pen tips that are not polished please be sure to check with the manufacturer for their recommended methods of cleaning the tips.

If you tips are heavily caked with carbon I recommend you start with a straight-edged razor or the Razertip tip cleaner and gently scrape off excess carbon.  You can do this while the pen is hot or after it has cooled.  For the next step be sure your tip is cool.  Once you have cleaned off any excess carbon use a strop (leather or composite) with aluminum oxide powder

I tend to burn mostly on clean woods that are free of oil so regular cleaning with the strop and aluminum oxide is all I need to keep my tips clean and carbon free.  When burning on gourds or leather I start with a razor. 

How to use the strop and aluminum oxide:

Make sure your tip is cool.  Add just a TINY pinch of aluminum oxide to one edge of the strop and run the tip across the powder just a few times, then on a clean area of the strop run the tip over the clean area to remove the remaining powder and gently polish the tip.  You need to do this only a few strokes.  I then wipe it on my denim jeans (you may want to get a patch of denim to keep on your Cleaning & polishing the tip with a stropwork area) to clean off excess polish.  Remember your really just polishing, so you don't need to try to remove all the discoloration.  These tips stay cleaner than many other brands so if you are burning at a moderate temperature on wood you can probably burn longer between cleanings.  If you are burning on gourds or leather you will need to clean more frequently. 

If you need extra help cleaning off carbon and using the aluminum oxide and strop don't remove all the carbon, gently scrape it with a straight edged razor.  That should remove all excess carbon.

When burning on gourds, leather and certain woods you will probably have to clean the tips more frequently. 

Remember that proper cleaning maintains the life of the tips, makes burning easier and your finished burning cleaner and keeps them in factory-new condition. If you clean the tips regularly you will not have much difficulty maintaining them.

Q:  How often should I sharpen my pen tips, and what should I use to do it with?

A:  Usually, only once or twice a year depending on usage. An overnight soak in oven cleaner can sometimes take off heavy carbon deposits, but be careful that you do not soak the brass or silver solder (read the directions for your oven cleaner to see what metals it will safely clean). To determine if your tip needs to be sharpened or "re-honed", examine your tips under a magnifying glass. If the edge of the tip looks rounded or there is not a well defined angle, you could probably re-sharpen the tip. BTW, over buffing (using a "leather power strop" wheel for example) will prematurely lead to the metal "rolling over" the edge, causing your tip to get kind of a rounded edge. To sharpen your pen, use a fine stone, (or if need be, 800 or higher grit wet and dry sand paper). Sharpen your pen tips at a 30 to 35 degree angle. Do NOT sharpen them at a sharper angle, as you will then carve too deep, and have problems in the painting stage of your carvings. After sharpening polish with the aluminum oxide polishing compound on a strop.

Q:  Do I need to anneal my pens?

A:  Some brands do recommend it but you should NEVER turn your power supply on high to "anneal" pens with polished tips. This will just lead to premature oxidation, and may damage some of the smaller standard style tips.  Our pens are ready to use right out of the plastic tube.

Q: My tip is a bit too sharp and needs to be bent a bit more.  Can I do it myself?

A: Yes, you can.  If you want to "modify" a pen, such as the Bent Spear shader, you would need to buff the lower edge of each tip so that it is rounder using a felt buffing wheel and buffing compound. You can then re-bend the tip angle using a smooth-jaw pliers. It is best to bend it cold - just be gentle and don't bend too quickly.  Despite what some people say, you should NOT bend the tips when they are "poker hot".

Q: How can I make the tips last longer?

A: To make your tips last longer: NEVER use sandpaper of any grit to remove carbon.  For best results, longest tip life, reduced carbon build-up, and maximum comfort, always use the lowest heat setting that will do the job. Burning at lower temperatures will keep carbon build-up off of the tip in the first place, and keeps the tips from oxidizing.  Put your pens back into their pen tubes after each use, a pen tip hitting the floor is the most common type of tip damage. Stick a small amount of foam or Styrofoam into the pen tube's cap if you are transporting your pen a lot. I have seen our tips last over 10 years, when properly cared for!

Q. The tips on some of my pens keep breaking, what am I doing wrong?

A: One of the most common problems we hear about is this!  This is a common problem with people who are heavy handed, new to burning or use too much pressure on the pens, especially if you have been using a single temperature burner and upgrade to a detail burner.  Keep in mind that you do not need a death grip on the pen, lighten up on the grip and let the pen do the work.  

Q: Should I get replaceable tips or fixed-tip pens?

A: We primarily recommend and sell the Colwood  fixed-tip pens and some of the popular replaceable tips used by carvers.  Fixed tip pens are highly recommended for flat and gourd burners who burn for longer periods of time and do not tend to change tips frequently.  Replaceable tips are recommended for intermittent work such as woodcarvers use for enhancing a carving. 

Fixed-tip handpieces operate cooler than replaceable tips. Also, because the tips are welded in, they provide better control for more precise burning. Replaceable tips require regular maintenance to work effectively.  Every 6-8 hours of use (or more if the pen is malfunctioning) the tip should be removed, cleaned with steel wool or Scotchbrite pads, bent at the back of each tip post, and re-inserted so they fit as snug as possible.

Replaceable tips are inconvenient to change and a non-welded tip can have bad intermittent conductive properties between the nichrome tip and the brass carrier. These conditions are high heat, electricity, and two dissimilar metal alloys (a very bad combination for preventing corrosion). Colwood replaceable tips have friction fitted "brass to brass" connectors, will eventually suffer from corrosion, and have poor intermittent conductive properties.  Colwood replaceable tips are changed by using a puller, a jumbo tweezer, which may be inconvenient. 

One nice thing about the Colwood replaceable tips is that when you use them the tip is the same distance from the handle as it is in their fixed tip pens therefore giving you more control over your work.  The other advantage of replaceable tips is the cost, which is considerably cheaper than buying fixed tip pens.

Q: Some of my pens get very hot and burn my fingers?

A:  Because our art form involves using heat to make images and detail, our challenge is always to get as much heat to the tip as possible (good heat) without that same heat building up in the pen and affecting the fingers (bad heat). Every user has different needs and will therefore have a different experience. Posting problems & possible solutions on forums like this are great ways to share information and I am always interested to see the many creative ways people go about overcoming challenges. Handpiece heating is a much more complex issue than most people realize, and there are many factors that go into how hot your handpiece gets. 

These are a few suggestions to help ease the pain!

1. Don't hold the pen close to the tip. When holding the pens, move your hand back slightly away from the tip. The closer your hand is to the tip, the hotter it will be.

2. Work at an angle.  Try working on a drafting table or one of our pyrography tables. This not only keeps the pen cooler but it is more comfortable and will help prevent carpal tunnel syndrome.

Here are a few factors concerning the "hot fingers" issue:

1. Power and current. Hot-wire tools are designed to operate with a primary voltage of around 115-117 volts. If your wall voltage is higher (say 120-125 volts), you'll get more heat at the tip. More heat at the tip usually means a hotter pen body. All hot wire burners convert the wall voltage to a lower output voltage. Razertip power supplies drop the voltage to 2 volts or less. Razertip pens are designed to operate at 2 volts or less.  Some burners (i.e.: Detail Master and Burn Master etc.) operates at around 3 volts. This gives them more power, but can be problematic for handpiece and cord heat. Razertip pens tend to get quite a bit hotter on the fingers when used on a 3 volt power supply. They perform best on a Razertip power supply. It is generally true that most pens will perform best on their own power supply.

2. Operator technique. Razertip (and I agree) always recommend using the lowest heat setting that will get the job done - in other words, if you can turn the heat down and still do the job, DO IT. In addition, hold your pen at an angle so the heat from the tip can rise into the air, not into the pen body and your fingers.  Moving your fingers back a bit from the tip can help sometimes, too.  If you must use high heat settings for long periods, I recommend getting a second pen and switching back-and-forth when one gets uncomfortable. This will be easier on your fingers and on the pen and tip. In the long run it will be less costly as your pens and tips will last longer. Also if you ever damage a tip and need replacement you have a spare to use while the damaged one is being repaired.

3. Operator sensitivity. Some people have very sensitive fingers. The original standard pens some people would complain after a short period of time that the pen was uncomfortable yet other people had no problems.  Another possibility is that I use a lighter touch with my pens and as I tell my students, "you don't need a death grip on the pens".  Let the pen do the work, not your hands.

4. Pen/tip design and construction. Detail burning pens are designed for finesse and fine detail work.  The solid-tip burners, such as the Wall Lenk and Walnut Hollow are intended for the heavy work and compliment a hot-wire tool or as refer to them as detail burners.  Different tip types heat differently.  Tip length is also a factor in pen heat. The longer the tip, the cooler the pen. The thicker grip can help, too (see below for information on removing and replacing the grips).  Testing has shown us that cork and closed-cell foam have similar insulative properties, with uncompressed foam often performing better than cork.  However, some users grip their handpiece tighter than others, and in compressing the foam grip, reduce its insulating abilities.  If you can loosen your grasp on the grip it may help.  Also when grips get old or have been used a lot they flatten out and should be replaced.  Most of our customers have indicated that they prefer the foam grips, but if cork works better for you then go for it.  One word of caution, whether you use a glove, or cover the pen with something to insulate it: don't let the pen get too hot or you may damage it internally. Give it a regular chance to cool.

5. The handpiece cord can also make a big difference.  Colwood makes a standard (super-flexible) 18 gauge cord for fine work, and a HD 16 gauge cord for heavier work.  The HD cord is always your best choice for hotter burning and here's why - When burning, you have to consider two heat factors:  Ambient tip temperature is the temperature of the tip when it's not in contact with the work surface. Working temperature is the temperature of the tip when it is in contact with the work surface (i.e.: wood).  When you use a heavier 16 gauge cord it is possible for more electrical current to flow to the tip, resulting in not only more tip heat, but in faster tip heat recovery.  In order to burn at, say, 700 degrees operating temperature, you would require an ambient temperature of perhaps 900-1000o with an 18 gauge cord, but only around 750-800o with a 16 gauge cord. The 16 gauge cord will not only perform better, but will result in the handpiece staying cooler for a longer period. However, it's a bit heavier to hold, and there are times when a slow tip heat recovery is actually desirable (certain shading techniques for example) and an 18 gauge cord is preferred.

6. Ambient air temperature, humidity, and air movement can all affect handpiece heat. Working in a hot, stuffy room with high humidity, your handpiece will get hot faster than if you're working in a cool, dry room with a bit of air movement. You might also use a small fan to "pull" air away.  Finally, there is always the possibility that there is something wrong with a pen or tip. Contact Colwood directly if in doubt.

Q: I use a Burnmaster (or Detailmaster) burner and my pens get too hot what can I do?

A: The Burnmaster (and Detailmaster) woodburner operates at 3 volts instead of the 2 volts that most other burners operate at.  This means they have more power (not necessarily good or necessary) and because of that many brands of pens may get hotter when when used with either of these burners.  You can do a number of things to help keep the pens cooler. 

1.  Reduce the heat setting on the burner to avoid burning out the pens.

2.  Use a large grip instead of the standard grip.

4.  Burn at an angle so that the heat is deflected away from your hand.

Q: How can I remove my old foam grip and replace it?

A: Often you will have to cut the old grip off a heavy-duty pen, The new one is installed by wetting the front of the pen with a bit of soapy water, stretching the hole in the new grip over a pair of needle-nose pliers that have been dipped in soapy water, and then carefully sliding the grip over the pen body. Watch out for the sharp tip! 

Q. My burner won't make a dark mark on wood until its set at "5" or higher? Why?

A. Colwood burners are designed to give a very broad range of heat. The lower half of the dial is used for waxes, plastics, or for detailing wood without leaving a brown mark. The top half of the dial provides enough heat to scorch wood.

Q. Sometimes my burner works great at a certain heat setting, and the next day I have to use a different setting to get the same burn. Why is this?

When the voltage from a wall plug changes, the temperature of the tip will change with it. Colwood  burners are set to perform optimally at their rated voltage. We have seen wall outlet voltages vary by over 20 volts. Wall outlet voltage can change depending on time of day and demand on the system especially in some geographic areas where there is a problem with low voltage. 

 

Choosing the right burning pens

I hope that the guide below helps you choose the right Colwood  pens for your needs.  This guide will show you some of the things you can do with these pens.  It's not always easy for people to visualize in their minds what can be done with each pen just by looking at the photo and description of possible uses.  The description of uses is also just a guide and not necessarily all that you can do with each one.  The bottom line here is EXPERIMENT and have fun!!!!

I will start with the most popular pens (shown with an asterisk) that we sell and the most versatile.  I will then work my way down through many of the other pens by Colwood. 

One way of keeping the pens cooler is to work at an angle such as a slanted table like a drafting table or the pyrography table we make (you can find it on our pyrography supplies page).  I also recommend using a cooler temperature and layering until you get the depth of tone you want to achieve.  This gives you more control and preserves the life of the pens by not using excessively hot temperatures.

Keep in mind that everyone burns differently and that's fine because if we were all the same it would be a very boring world.  They have different styles of burning, prefer different pens and this is just a guide, not the final word on what's good for you.  I was taught in art school not to outline my work because there are no lines in nature and I don't outline but many people do.  I prefer using the bent spear shader but others prefer the spoon or round shader.  It all boils down to what you prefer and what works for you, not me or the next guy!  Don't take my word for it or someone else, try it yourself, experiment and make your own decisions.

I might also add here that we recommend fixed-tip pens rather than interchangeable tips.  There are several reasons:  Fixed tip pens get you closer to your work so you have better control; you get better heat distribution; fixed tip pens are easier and faster to change and interchangeable tips are primarily intended just for intermittent burning.  Since we cater to woodburners who use burners on a more regular basis we primarily sell the fixed-tip pens. 

You can see all the pens on our website.  Click here to go directly to our Colwood pen store.

 

COPYRIGHT INFORMATION

No portion of the printed book "Pyrography 101" or the web pages containing "Pyrography 101" tutorials may be copied, reproduced, stored in a retrieval system or transmitted in any form or by any means without prior permission of the publisher and copyright owner. 

Material from this site may not be, in part or in whole be distributed, redistributed, published, republished, copied, reproduced, altered or modified and sold or otherwise made available to others in any form for any purposes whatsoever.

Updated 11/3/08

NOTE: Due to a fractured wrist and a deadline to get my 4th book completed I was unable to finish all the tutorials on the pens.  I hope to get them finished soon!

 

please click on each thumbnail to view the full-sized photo

*E-45 Bent Spear Shader (& E45S short spear shader).  This is my all-time favorite pen and it is the pen I use for just about everything I do.  It is pretty versatile and because of its unique shape you can get into tight corners and every nook and cranny and do all kinds of things with this pen.

Other than working with miniatures, this pen can be used for all your shading needs.  I prefer this to the round, square and other shape shaders because of its shape.  Also, because I use a smooth shading technique, this does a beautiful job of accomplishing that.  As with most pens, the trick is going to be in the technique and the landing.  Be sure that when you land on the wood your pen is in motion, much like an airplane coming in for a landing.  If the pen lands on the wood then moves you will get what I call, "the dreaded blob".  This is one of the most important techniques to learn.

You can also see from the photo on the top right that I have created an "edge" with my shading.  This gives the shading a natural look and I do not have to (and should not) outline my work.  Another important technique to remember is to blend the shading so it doesn't look like a bunch of brown lines.  Notice how smooth the shading looks in the photo. 

The middle photo shows how you can draw lines using the edge of the pen and vary the thickness depending on the angle you hold the pen.

The bottom photo was done using the tip of the pen.  Just be sure you do not dig into the wood when you do calligraphy with the tip.  The block letter on the right of the sample was outlined using the tip and then shaded inside using it as a shader.

Bent spear shader

*#GR/KR - Blunt-Heeled Knife.  This pen actually comes in 2 sizes (KR & GR).  I prefer the KR (on the left) because it is a bit smaller and the most versatile so I don't need to have more than one blunt-heeled knife. 

My philosophy has always been more is not necessarily better, just more money!  This pen is great for a lot of things.  This is good for hatching, cross-hatching, undercutting and so much more.  It does beautiful curved lines, calligraphy and can even be used on the side for shading.  Experiment and have fun!

KR and GR

*#C Writing Tip.  This is a very nice writing tip. It is small and can do cursive or printing nicely.

You can see in the photos that I have done lines on top and then experimented with shading. The 2nd row is pointillism done with each size of the writing tip.  The third row is shading done with lines and the last line shows printing done with the writing tip. 

Writing tip

*#MC Micro Writer.  This pen has been redesigned and it so much better then the original version I used when I started burning.

The new one is just like using a fine tip pen.  You can do writing, both cursive and printing.  It so versatile you can do hatching, cross-hatching, curved lines, pointillism and so much more. 

 

Micro writer

#5 Spear (extra small, small and medium) and E These tips are very versatile.  They come in a variety of sizes from extra small to medium.  They are widely used by gourd artists and carvers.  The #5 pens are thinner than the #E spade and they have a thinner, crisper edge so you can get nice crisp lines with them.   Pictured here from left to right are the extra small, small and medium.   The smaller versions are great for use on miniatures such as tagua nuts and gourd eggs.    5XS 5S5M #5 Spear

#LSS - Flat Shader.  This is great for shading larger areas.

 

#2 Round Shader.  The round shader is a good all purpose shader and is useful for raising feathers on carvings. It is

 

#H, B - Skew.  These are two of the most popular skews.  The B is pictured on the right and the H is pictured on the left.  They are great for hatching and cross-hatching; cutting, detail, fine straight lines.  Some people even use them for shading.        

 
#J tight round.  This pen is a favorite of Orchid Davis who does magnificent wildlife burnings.   
#S - Round shader.  This is a very versatile shader.  

#C1 Calligraphy.  This is not just a calligraphy pen.  It also makes a great shader.  It is a smooth chisel-type calligraphy pen for heavier writing.  It is less prone to digging in than most other calligraphy tips. 

These do just what they say and a great job of it.  They are also great for shading as you can see in the top photo.  In the bottom photo I did some calligraphy (please excuse the hurry and I'm not really a calligrapher) using the medium and large size.  I also did some "squiggled" lines on the right.  Give you any ideas?  How about a flowing ribbon in a little girl's hair???? 

#Ball Tips (#1,2,3). 

The ball tips can be used for so many things such as cursive writing, drawing lines, stippling, shading, etc.  AsColwood Ball Tip #1 the size increases in the ball it is more difficult to print or write with it.  They are all great for stippling and depending on the size of the piece your working on you can chose a size that will work best.  But the nice thing about the ball tips are is that they glides over the wood so smoothly.  Another important thing to remember when using these is that as the size increases the longer it Colwood Ball Tip #2takes to heat and cool.  The larger size also requires a higher temperature. 

 

 Colwood Ball Tip #1

 

 

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Sawdust Connection, LLC

BELEN, NM 87002 (USA)

505-859-4005 ~ Mountain Time Zone

Office Hours:  Mon - Sat  9 am - 5 pm

SUNDAY BY APPOINTMENT ONLY!

We are a home based business,  please call during business hours

email comments or questions to:  info@sawdustconnection.com

 

Home  l  Artist's Gallery  l  Nedra's Pyrography & Gourd Art 

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COPYRIGHT

All information, patterns and artwork on this site are copyright protected.  It may NOT be reproduced, copied, altered or distributed in any way

without written permission from the artists and owners of this site, ALAN and NEDRA DENISON

This page was last updated 11/16/2008

This website was designed, created and maintained by Nedra Denison.  If you have problems with this website, please contact the webmistress

 Copyright©  2002 - 2008    Nedra Denison & Sawdust Connection, LLC

All Rights Reserved